The first written reference to the word tattoo (or tatau), appears in the journal of Joseph Banks (24 February 1743 – 19 June 1820), the naturalist aboard Captain Cook’s ship the HMS Endeavour: “I shall now mention the way they mark themselves indelibly, each of them is so marked by their humour or disposition”.
The word “tattoo” was brought to Europe by the explorer James Cook, when he returned in 1769 from his first voyage to Tahiti and New Zealand. In his narrative of the voyage, he refers to an operation called “tattaw”.
Tattoo enthusiasts may refer to tattoos as “ink”, “pieces”, “skin art”, “tattoo art”, “tats”, or “work”; to the creators as “tattoo artists”, “tattooers”, or “tattooists”; and to places where they work as “tattoo shops”, “tattoo studios”, or “tattoo parlors”.
A tattooed man’s back, Japan, c. 1875
Mainstream art galleries hold exhibitions of both conventional and custom tattoo designs such as Beyond Skin, at the Museum of Croydon. Copyrighted tattoo designs that are mass-produced and sent to tattoo artists are known as “flash”, a notable instance of industrial design. Flash sheets are prominently displayed in many tattoo parlors for the purpose of providing both inspiration and ready-made tattoo images to customers.
The Japanese word irezumi means “insertion of ink” and can mean tattoos using tebori, the traditional Japanese hand method, a Western-style machine, or for that matter, any method of tattooing using insertion of ink. The most common word used for traditional Japanese tattoo designs is Horimono. Japanese may use the word “tattoo” to mean non-Japanese styles of tattooing.
Anthropologist Ling Roth in 1900 described four methods of skin marking and suggested they be differentiated under the names “tatu”, “moko”, “cicatrix”, and “keloid”.